This issue of Czech Theatre is largely devoted to scenography. The American scenography theorist Arnold Aronson describes the history and current state of the PQ. In Czech Scenography at PQ 2011 Marta Ljubková, one of the curators of the Czech exhibit, explains the concept behind the selection of Czech scenographic works for this year’s PQ. Marie Zdeňková focuses on Czech scenography applied to alternative spaces and Věra Ptáčková writes about one of the most original scenographers working in Czech theatre today, Marek Cpin. Three productions of the director Jan Mikulášek from the past year are reviewed by Kamila Černá. Petra Ježková looks at the two productions staged by Robert Wilson in 2010 at the National Theatre in Prague.